Cataloging Practices Manual | [CPM-174] |
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BACKGROUND
Create a preliminary bibliographic record if there is no usable copy when placing an order or trying to catalog a Priority 2 or Priority 3 item. Follow the general preliminary record instructions and use the following instructions for the special features of recordings. Include the fixed and variable fields included in this document. Use the new m command to call a music recordings workform.
RT= j for musical recordingsi for spoken word recordings
BL= m
Examples:260:: $c [19--] DT/1 1900
260:: $c [199-] DT/1 1990
260:: $c [1996] DT/1 1996
Omit hyphens and spaces when recording International Standard Recording Number or Universal Product Code.
Record manufacturer numbers usually appear on the disc and on the container. Record sets may also include a set number in addition to individual record numbers; record set numbers in this case. Do not record numbers for other formats available. In the subfield $a, copy the number exactly as it appears on the label, retain alphabetic prefixes, suffixes, dashes, spaces, etc. The subfield $b includes the manufacturer's name as it would appear in the 260 $b.
Examples:
028::M23456 $b Columbia Masterworks
028::D 1734.267 $b Delos
If the recording has three or fewer composers or principal performers, search the author's/composer's name (personal, corporate, conference) in CLIO and input a 1XX field.
Go to Name Verification Procedures
Examples:
100:1 :|a Beethoven, Ludwig van, |d 1770-1827.
110:2 :|a Columbia University Concert Band.
If the recording has no composer, or has more than 3 composers, enter under title in 245.
Transcribe the title as it appears on the record label.
Examples:
Title $h [sound recording] : $b Subtitle / $c statement of responsibility (composer's name)
Examples:
245::Meistersinger von Nurnberg |h [sound recording] / |c by Wagner.
245::Three songs for America [sound recording] : |b bass voice and instruments (woodwind quintet and string quintet) / |c David Amram.
For generic titles that consist of a type of composition followed by the instrumentation, a number and/or a key, include all the elements in the $a.
Examples:Go to more information on titles245::String quintet no. 1, A major, op. 18 |h [sound recording] / $c Beethoven.
245::Sechs Partiten fur Flote |h [sound recording] / |c J.S. Bach.
245::String quintet 5 |h [sound recording] / |c Robert Morris.
Include the edition statement if it is present. Whenever possible, substitute numbers for words. Abbreviations are acceptable, if they are in the language of publication.
Examples:
On recording: Fifth edition 250: 5th ed.On recording: Revised edition 250: Revised ed.
Place : |b Publisher/Distributor,|c Date.
Examples:
260::New York : |bColumbia Records, $c 1992.260::[England] : |bEMI, |c 1991.
260::|c1965.
Record the number of physical units of a sound recording by giving the number of parts in Arabic numerals and one of the following as appropriate: sound disc, sound cassette, sound tape reel. If a recording is issued in compact disc format, add "compact disc" in CLNF.
Examples:
3 sound discs (recording of opera in a single container)
15 sound cassettes (recording of a conference)
Assign one added entry for the most prominent one of the following:
700::Domingo, Placido,|d1941-
710::Boston Symphony Orchestra.
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